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London Theater Journal: Inside, Vodka and Stilettos; Outside, the Revolution

In Abi Morgan's "Splendour" at the Donmar Warehouse, Sinead Cusack plays a dictator's wife who drinks shots with her guests at the palace in a revolution-torn city.

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London Theater Journal: En Travesti, Both Sides Now

David Suchet plays Lady Bracknell in Oscar Wilde's "Importance of Being Earnest" at the Vaudeville Theater and, across the river, Michelle Terry is the cross-dressing heroine of "As You Like It" at...

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London Theater Journal: Make ‘Em Dream

“Bend It Like Beckham: The Musical," with its focus of dreams of the future, has many parallels to "Billy Elliot: The Musical." Then, also in London, there is the Hitler-era “Grand Hotel.”

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London Theater Journal: Discipline, Punish and Put on a Play

Timberlake Wertenbaker’s “Our Country’s Good” has been given a big, handsome and somewhat literal-minded revival at the National Theater.

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London Theater Journal: Rehab and Resistance

A review of Duncan Macmillan's new play "People, Places and Things."

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London Theater Journal: A Scorching Momma Rose

A review of Imelda Staunton in "Gypsy."

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London Theater Journal: Firebrands

Ben Brantley reviews "The Heresy of Love" and "Jacqueline Wilson's Hetty Feather."

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London Theater Journal: Nowhere Man

Ben Brantley on two plays by Simon Stephens: "Song from Far Away" and "One Minute."

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London Theater Journal: The Greeks All Over Again

Ben Brantley on two versions of "The Oresteia," part of the current fashion for Greek tragedy on London and New York Stages.

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London Theater Journal: Getting Giddy

Ben Brantley reviews "The Beaux' Stratagem" at the National Theater.

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